TEST: Internet-Tauschbörsen für Musik und Film
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| Eröffnet am: | 17.12.01 11:44 | von: Boersiator | Anzahl Beiträge: | 28 |
| Neuester Beitrag: | 18.06.02 08:12 | von: MaxCohen | Leser gesamt: | 1.936 |
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Besonders breit gefächert ist das Musik-Angebot über Audiogalaxy und Aimster. Wer sich die Zeit nimmt und über Stunden ganze Filme aus dem Netz lädt, ist mit Anbietern wie FastTrack-Client und eDonkey 2000 gut bedient, sofern die Funktionalität des Angebots im Vordergrund steht. Die größte Filmauswahl bieten die Tauschbörsen Hotline und Direct Connect, berichtet das Magazin c't in seiner neuen Ausgabe.
Trotz vieler Ankündigungen kommen dagegen kommerzielle Tauschbörsen für Musik und Filme nicht in Gang. Stattdessen haben sich andere Plattformen etabliert, die den Erfolg des gerichtlich stillgelegten Napsterangebots mit anderen Mitteln fortführen. Noch während der gerichtlichen Auseinandersetzungen um Napster schickten sich unterschiedlichste Angebote an, das Erbe der Musik-Tauschbörse anzutreten. Insbesondere Gnutella mit seinen dezentralen Strukturen stand ganz oben auf der Beliebtheitsskala bei Musikfans, die mittlerweile aus einer breiten Palette von Tauschbörsen wählen können. Im Mittelpunkt stehen jetzt nicht mehr nur Musiktitel, sondern auch ganze Kinofilme.
Bei einer Reihe von Börsen geht das Angebot inzwischen weit über das reine Tauschen hinaus: Neben Detailverbesserungen gibt es die Möglichkeit, per Instant Messaging private Mitteilungen an die Tauschpartner zu senden oder gar eine komplette Chat-Funktion. Um bestimmte Dateitypen oder pornografische Inhalte von vornherein auszublenden, bieten einige Programme zusätzlich entsprechende Filterfunktionen an. (ck)
Immer unter Windows die Ansichtfunktion dahingehend einstellen, dass der komplette Dateinamen angezeigt wird; bzw Datei nie durch Doppelklick öffnen.
Einfach mal in der Suchfunktion *.vbs oder *.exe eingeben - ihr werdet euch wundern wieviele Treffer das gibt :-(
Gruß Dr. Broemme
Mit Symantec ist leider nicht allein getan, ein gute Firewall die die Ports manuell blocken läßt, sollte aufjedem Pc installiert, auf dem so ein Tool installiert ist!
WinMX macht den Port 4097 und Audiogalaxy Port 22951 auf!
Leider bekommt der normale User diese Infos nicht in jedem Newsletter übermittelt.
Egal bei welchem Kunden ich aufschlage, Sharing-Tools finde ich überall. Schutzmaßnahmen hingegen haben die wenigsten getroffen.
Munter bleiben,
Boersiator
Also die Ports dicht machen und gut ist.
Niemals direkte Datenübermittlungen eines Chatkollegen eingehen, der nur ein wenig spielen will. Sub7 und co. lassen grüßen.
Ich presönlich nutze WINMX und Morpheus, bin aber gerne für neue Sachen offen.
Habe aber die Erfahrung gemacht, das es egal ist ob 7 TB oder 7,5 TB, denn ob WHAM mit Last Christmas 3400x oder 5600 mal beim Suchen auftaucht, ist doch letztlich völlig egal.
Bestes Mittel für die stetige Vermehrung von Audio Material: Eine gute Cover Seite (www.cdcoverc.cc) und WINMX. Es lebe der Download.
Großes Plus bei Morpheus. Als das mir einzig bekannte Tool kann Morpheus von mehreren Anbietern gleichzeitig saugen, so daß bei z. B. DSL oftmals ein sehr guter sauger wert erreicht werden kann. Allerdings ließt Morpheus oder Kazaa Daten im Rechner aus und sendet diese unbemerkt weiter an andere Rechner. Wer das Programm ADWARE laufen läßt (www.lavasoft.de), der wird nach der Installation sein blaues Wunder erleben. Löscht man jedoch diese Trojaner, verweigert Kazaa den Dienst.
So long
Avantgarde
Nur im Animee-Bereich könnte ich mir ein breiteres Angebot wünschen, aber da kaufe ich auch gerne mal "handfeste" Ware.
NEW YORK, May 24, 2002 – Audiogalaxy.com, a Napster-like clone that has facilitated and encouraged the unauthorized trading of millions of copyrighted songs, was taken to court today by songwriters, music publishers, and the recording industry for wholesale copyright infringement.
The lawsuit was filed in federal court in New York on Friday by the Recording Industry of America (RIAA), on behalf of its member labels, and the National Music Publishers Association, Inc. (NMPA), on behalf of the music publisher principals of its licensing affiliate, The Harry Fox Agency, Inc. and their thousands of songwriter partners. The complaint specifically accuses Audiogalaxy of "willfully and intentionally" encouraging and facilitating "millions of individual, anonymous users to copy and distribute infringing copyrighted works by the millions, if not billions."
The complaint further states that, "With functions such as the ability to download entire songs and albums, cover artwork, and software, as well as a peer-to-peer file-sharing function, Audiogalaxy's system is even more egregious than that of Napster."
“Litigation is never our preferred course,” said Edward P. Murphy, NMPA’s CEO. “But when a company repeatedly demonstrates its intent, despite repeated warnings, to continue to engage in and facilitate activities it knows are causing grave harm to creators and copyright owners, there is little choice but to defend our rights through the legal system. To do otherwise would be to abandon America’s music community to the pirates.”
Among the numerous recording artists and songwriters whose works are being unlawfully distributed include: Brandy, Boys II Men, Dave Mathews Band, Celine Dion, Shakira, Enya, the Beatles, Shakira, Billy Joel, Destiny's Child, Alicia Keyes, James Brown, Linkin Park, Madonna, Jerry Leiber, Mike Stoller, Paula Cole, Lalo Schifrin, Henry Mancini, Johnny Mercer, and countless others.
Matt Oppenheim, Senior Vice President, Business and Legal Affairs of the RIAA, said that the litigation was a last resort after numerous out-of-court warnings to Audiogalaxy were ignored or resulted in half-hearted attempts to fix the problem.
"Audiogalaxy and Napster are cut from the same cloth," said Oppenheim. "Audiogalaxy is profiting by providing its users a library of pirated music, including today's most popular hits. Though claiming fealty to copyrights, Audiogalaxy continues to offer up virtually all of the music we told them should be excluded. The firm's sieve-like filter has been totally ineffective."
Specifically, the suit, which also names Michael Merhej, head of Audiogalaxy as a defendant, charges that:
Audiogalaxy had ample knowledge of the massive infringements occurring daily on its system, and in fact marketed itself as the next Napster.
Audiogalaxy clearly had the ability to control the works available on its system and acknowledged the ability to remove users, or alternatively, to exclude certain content.
Audiogalaxy provided users with a fully integrated, centralized structure and facility, including a hub of central computers to which users connected; a continuously updated database and index of infringing sound recordings; information about file size, popularity and download speed of files; and proprietary software to facilitate efficient identification, copying and distribution of recordings.
Like Napster, Audiogalaxy seeks to profit from its pirate system by building an extensive user base to attract advertisers and investment dollars.
Audiogalaxy is based in Austin, Texas. A copy of the court submission can be found at www.riaa.com and at www.nmpa.org.
The Recording Industry Association of America is the trade group that represents the U.S. recording industry. Its mission is to foster a business and legal climate that supports and promotes our members' creative and financial vitality. Its members are the record companies that comprise the most vibrant national music industry in the world. RIAA® members create, manufacture and/or distribute approximately 90% of all legitimate sound recordings produced and sold in the United States.
In support of this mission, the RIAA works to protect intellectual property rights worldwide and the First Amendment rights of artists; conduct consumer industry and technical research; and monitor and review - - state and federal laws, regulations and policies. The RIAA® also certifies Gold®, Platinum®, Multi-Platinum™, and Diamond sales awards, Los Premios De Oro y Platino™, an award celebrating Latin music sales.
The National Music Publishers’ Association, Inc., founded in 1917, works to protect and advance the interests of the music publishing industry. With over 900 members, the NMPA represents the most important and influential music publishing firms throughout the United States.
The Harry Fox Agency, Inc. provides an information source, clearing house and monitoring service for licensing musical copyrights, and acts as licensing agent for more than 27,000 music publisher principals, who in turn represent the interests of more than 160,000 songwriters. Besides the core business functions of licensing, collections and distribution of royalties, HFA conducts periodic record company and other user audits on behalf of its principals. HFA is the licensing affiliate of the National Music Publishers’ Association.
nicht so bekannte musik geht super über audiogalaxy.
Hab´auch noch nie probleme mit viren oder trojanern etc. gehabt.
Firewall und Viren- und Trojanerscanner ist in diesen zeiten aber ein MUSS.
unter dieser adresse gibts noch eine zusatz-info zur sicherheit bei kazaa:
http://www.it-academy.cc/article.php?ID=456
RIAA, NMPA Reach Settlement With Audiogalaxy.com
Recording Industry Association of America, National Music Publishers’ Association Reach Settlement with Audiogalaxy.com
New York, NY, June 17, 2002 – The recording industry, music publishers and songwriters announced today that they have reached an out-of-court settlement with Audiogalaxy.com, the Napster-like clone, which requires Audiogalaxy to stop the infringement of copyrighted works on their peer-to-peer network.
The agreement follows a lawsuit filed in late May accusing Audiogalaxy of facilitating and encouraging widespread copyright infringement – a last resort step after repeated efforts to warn the firm of their liability were ignored or resulted in ineffective attempts to fix the problem. The suit was brought by the Recording Industry Association of America (RIAA), on behalf of its member labels, and the National Music Publishers’ Association (NMPA), on behalf of the music publisher principals of its licensing affiliate, The Harry Fox Agency, Inc.
The settlement reached would allow Audiogalaxy to operate a "filter-in" system, which requires that for any music available, the songwriter, music publisher, and/or recording company must first consent to the use and sharing of the work. The other key provision of the agreement is for Audiogalaxy to pay the music publishers and recording industry a substantial sum based on Audiogalaxy's assets and interest in resolving this case quickly.
"We are pleased to settle this case quickly. This is a victory for everyone who cares about protecting the value of music," said Hilary Rosen, Chairman and CEO of the RIAA. "This should serve as a wake-up call to the other networks that facilitate unauthorized copying. The responsibility for implementing systems that allow for the authorized use of copyrighted works rests squarely on the shoulders of the peer-to-peer network."
"The message is clear – there is no place on the Internet for services that exploit creators' work without fair compensation," added Edward P. Murphy, President and CEO, NMPA. "Such services hurt creators and hurt the legitimate Internet businesses that wish to comply with the law and compensate the creators. The swift resolution of this matter is thus a double victory that creators and legitimate Internet businesses should join in hailing." (more)
Audiogalaxy.com, based in Austin, Texas, was one of the more heavily trafficked file-sharing websites.
The Recording Industry Association of America is the trade group that represents the U.S. recording industry. Its mission is to foster a business and legal climate that supports and promotes our members' creative and financial vitality. Its members are the record companies that comprise the most vibrant national music industry in the world. RIAA® members create, manufacture and/or distribute approximately 90% of all legitimate sound recordings produced and sold in the United States.
In support of this mission, the RIAA works to protect intellectual property rights worldwide and the First Amendment rights of artists; conduct consumer industry and technical research; and monitor and review - - state and federal laws, regulations and policies. The RIAA® also certifies Gold®, Platinum®, Multi-Platinum™, and Diamond sales awards, Los Premios De Oro y Platino™, an award celebrating Latin music sales.
The National Music Publishers’ Association, Inc., founded in 1917, works to protect and advance the interests of the music publishing industry. With over 900 members, the NMPA represents the most important and influential music publishing firms throughout the United States.
The Harry Fox Agency, Inc. provides an information source, clearing house and monitoring service for licensing musical copyrights, and acts as licensing agent for more than 27,000 music publisher principals, who in turn represent the interests of more than 160,000 songwriters. Besides the core business functions of licensing, collections and distribution of royalties, HFA conducts periodic record company and other user audits on behalf of its principals. HFA is the licensing affiliate of the National Music Publishers’ Association.
http://www.riaa.com/