Culture Club

heute: skinhead rouge

Mittwoch 01.06. um 21:40
Die grosse Literatour

Erika und Klaus Mann`s Cote d'Azur

und anschliessend
22:35 Vincennes - Die revolutionäre Uni (eine Doku aus diesem Jahr)  

 

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Fill legt heute ein paar besinnliche Stunden ein, sehe ich.

Setze mich für ein paar Minuten mal dazu.....)))


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heute: the godman

heute: 'shaved'

 

 

 

 

 

 

 

Biography
Lebanon Hanover is a post-punk duo based in Berlin, Germany and Newcastle, UK, founded in 2010 by Larissa Iceglass (guitar, vocals) and William Maybelline (bass, vocals).
They offer an ice cold post-punk, fascinated by the beauty of art nouveau aesthetics, exploring British seashores and forests at night as well as inspired by the urbanism of Berlin.

https://www.facebook.com/lebanonhanover
http://lebanonhanover.bandcamp.com

http://www.last.fm/music/Lebanon+Hanover/+wiki  

totally tot

https://www.musixmatch.com/fr/paroles/Lebanon-Hanover/Totally-Tot

In the city
I am tot
totally tot

On the dancefloor
I am tot
totally tot
 

which has evolved over three thousand years. It includes both the vast gardens of the Chinese emperors and members of the imperial family, built for pleasure and to impress, and the more intimate gardens created by scholars, poets, former government officials, soldiers and merchants, made for reflection and escape from the outside world. They create an idealized miniature landscape, which is meant to express the harmony that should exist between man and nature.[1]

A typical Chinese garden is enclosed by walls and includes one or more ponds, rock works, trees and flowers, and an assortment of halls and pavilions within the garden, connected by winding paths and zig-zag galleries. By moving from structure to structure, visitors can view a series of carefully composed scenes, unrolling like a scroll of landscape paintings.[2]

Design of the classical garden[edit]

A Chinese garden was not meant to be seen all at once; the plan of a classical Chinese garden[27] presented the visitor with a series of perfectly composed and framed glimpses of scenery; a view of a pond, or of a rock, or a grove of bamboo, a blossoming tree, or a view of a distant mountain peak or a pagoda. The 16th-century Chinese writer and philosopher Ji Cheng instructed garden builders to "hide the vulgar and the common as far as the eye can see, and include the excellent and the splendid."[28]

Some early Western visitors to the imperial Chinese gardens felt they were chaotic, crowded with buildings in different styles, without any seeming order.[29] But the Jesuit priest Jean Denis Attiret, who lived in China from 1739 and was a court painter for the Qianlong Emperor, observed there was a "beautiful disorder, an anti-symmetry" in the Chinese garden. "One admires the art with which this irregularity is carried out. Everything is in good taste, and so well arranged, that there is not a single view from which all the beauty can be seen; you have to see it piece by piece."[30]

Chinese classical gardens varied greatly in size. The largest garden in Suzhou, the Humble Administrator's Garden, was a little over ten hectares in area, with one fifth of the garden occupied by the pond.[31] But they did not have to be large. Ji Cheng built a garden for Wu Youyu, the Treasurer of Jinling, that was just under one hectare in size, and the tour of the garden was only four hundred steps long from the entrance to the last viewing point, but Wu Youyu said it contained all the marvels of the province in a single place.[32]

The classical garden was surrounded by a wall, usually painted white, which served as a pure backdrop for the flowers and trees. A pond of water was usually located in the center. Many structures, large and small, were arranged around the pond. In the garden described by Ji Cheng above, the structures occupied two-thirds of the hectare, while the garden itself occupied the other third. In a scholar garden the central building was usually a library or study, connected by galleries with other pavilions which served as observation points of the garden features. These structures also helped divide the garden into individual scenes or landscapes. The other essential elements of a scholar garden were plants, trees, and rocks, all carefully composed into small perfect landscapes. Scholar gardens also often used what was called "borrowed" scenery (借景 jiejing) ; where unexpected views of scenery outside the garden, such as mountain peaks, seemed to be an extension of the garden itself.[33][34]

komplett https://en.wikipedia.org/wiki/Chinese_garden