Culture Club

Sonic Youth, Thurston Moore: Top Ten Band und Top Ten Gitarrist / Songwriter, all time.  

Sacks schreibt: „Eine winzige Hirnverletzung, ein kleiner Tumult in der cerebralen Chemie – und wir geraten in eine andere Welt“.[6] Das Buch ist allgemeinverständlich geschrieben und behandelt kaum die medizinisch-neuropsychologische Seite, sondern veranschaulicht die Welt, in der diese Menschen leben. Es erklärt, wie Wahrnehmung allein vom Gehirn abhängt und unser Realitätsempfinden dort entsteht...

https://www.arte.tv/de/videos/073122-000-A/oliver-sacks-sein-leben/  

Konzert in der Markthalle/HH - Ticketpreise am obersten Ende des damals Üblichen - und dann der Auftritt ohne Kim Gordon, die war wohl gleich nach Roskilde durchgefahren, wo SY am nächsten Tag spielen sollte.
Das Konzert selber ne Frechheit - 30 Minuten standen sie headbangend am Bühnenrand und produzierten nur ne Wall of Sound. Keine Liedstrukturen, keine Unterbrechungen - nach 30 Minuten Schluss ohne Zugabe.

Ich bin schon nach 15 Minuten rausgegangen und habe lieber draußen ein Bier getrunken.

Der Gegenentwurf zur 'evidenzbasierten' Medizin:

Oscar Ribeiro de Almeida Niemeyer Soares Filho (December 15, 1907 – December 5, 2012), known as Oscar Niemeyer (Brazilian Portuguese: [ˈoskaʁ ni.eˈmajeʁ]), was a Brazilian architect considered to be one of the key figures in the development of modern architecture. Niemeyer was best known for his design of civic buildings for Brasília, a planned city that became Brazil's capital in 1960, as well as his collaboration with other architects on the headquarters of the United Nations in New York. His exploration of the aesthetic possibilities of reinforced concrete was highly influential in the late 20th and early 21st centuries.

Both lauded and criticized for being a "sculptor of monuments",[1] Niemeyer was hailed as a great artist and one of the greatest architects of his generation by his supporters.[2] He said his architecture was strongly influenced by Le Corbusier, but in an interview, assured that this "didn't prevent [his] architecture from going in a different direction".[3] Niemeyer was most famous for his use of abstract forms and curves and wrote in his memoirs:

I am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free-flowing, sensual curves. The curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein.[4]

https://en.wikipedia.org/wiki/Oscar_Niemeyer