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Photographs, 1972–1980[edit]
Although Woodman used different cameras and film formats during her career, most of her photographs were taken with medium format cameras producing 2-1/4 by 2-1/4 inch (5.7 by 5.7 cm) square negatives.[4](p. 9)[5](p. 179) Woodman created at least 10,000 negatives, which her parents now keep.[13]
Videos, 1975–1978[edit]
At RISD, Woodman borrowed a video camera and VTR[4](p. 27) and created videotapes related to her photographs in which she "methodically whitewashes her own naked body, for instance, or compares her torso to images of classical statuary."[28] Some of these videos were displayed at the Helsinki City Art Museum in Finland and the Marian Goodman Gallery in New York in 2004;[29] the Cisneros Fontanals Art Foundation in Miami in 2005;[28] the Tate Modern in London in 2007–2008;[30] and the San Francisco Museum of Modern Art in 2011 (in an exhibition which will travel to the Solomon R. Guggenheim Museum in 2012).[5] In the 2011–2012 exhibitions, the selected video works, each 23 seconds to 3 minutes 15 seconds in length, were entitled "'Francesca' x 2," "Sculpture," "Corner," "Trace," and "Mask."[31]
Some Disordered Interior Geometries (1981 book)[edit]
Woodman created a number of artist's books, such as Portrait of a Reputation, Quaderno dei Dettati e dei Temi (Notebook of Dictations and Compositions), Quaderno (also known as Quaderno Raffaello), Portraits Friends Equasions, and Angels, Calendar Notebook.[4][21][32] However, the only artist's book containing Woodman's photographs that was published during her lifetime was Some Disordered Interior Geometries.[33]