Culture Club
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“Neptune Frost,” the dense Afrofuturist film from co-directors Saul Williams and Anisia Uzeyman, holds many resplendent identities at once: It’s a musical; it’s an intersex narrative; it’s a technological allegory espousing anticapitalist and anticolonialist views. It’s a collective dream coated in a blue lacquer dancing on the edge of something unrecognizable, something wholly transcendent. And it arrives with an exceptional display of bravura.
