Ohnegrundnahrungsmittel

 

 

 

lasst euch gut schmecken ....

Der Schnee macht mir Hunger, muß ich feststellen ....  ;-)

Schönen Donnerstag Mittag noch ....  

https://www.youtube.com/watch?v=SvIan5jjDKo

von mir ....

der Schnee rieselt immer noch .... das wird noch was größeres werden .... befürchte ich ....

Bis später ....  

und "Von Ihnen kommen bereits 7 der letzten 20 (oder weniger) positiven Nachmittage für youmake222. "  

https://youtu.be/cNKNGQenSYI
 

https://youtu.be/sA2A4JGysdE
 

...und kurz den Ärger geschildert. Da meinste es mal gut und dann gibts doch wieder was zu meckern...

...manche sind ja eher visuell veranlagt. Jeglicher Vergleich bei einer möglichen Interpration des Bildchens mit Partei (en) oder einzelner (n) Politiker (n) aus der Bundesregierung obliegen allein der Phantasie des Betrachters und sind bestimmt nicht beabsichtigt.... Nimmernich.  

und die Veranda erst. Toll.  

für alle hier ....

Hoffe ihr seid gut durchgekommen heute ;-)  

 

schlaft schön,

in dieser frostigen und verschneiten Donnerstag Nacht :-)  

https://youtu.be/Pav2f4b-1ZE
 

https://youtu.be/gj9jsrEMl9s
 

https://www.youtube.com/watch?v=M9U0l1GA37g&list=OLAK5uy_kwBSxJvZc9Odz8ND-YJLsY9nvtpPAyLcQ&index=2  

https://www.youtube.com/watch?v=Mkg1OjgqTck&list=OLAK5uy_kGMjMxQ4a3Vtyb2BiZkKZe0LaBRUD1Pu0&index=2  

https://www.youtube.com/watch?v=yvVDj-rCF6w  

https://www.youtube.com/watch?v=NgYEhzXVOhM  

22:47
22:57
sind nicht soooo
22:59 aber
SEHR schön!  

Hugo Largo humbly gave birth to one of the seminal experiences of the 1980s. Armed with two basses and a violin (instead of the usual guitar-bass-drums lineup), they invented a sound that was both dreamlike and austere, almost a version of British dream-pop for classical music ensembles. Their music is some of the most psychological in rock history.

Hugo Largo was founded in 1986 by Tim Sommer, music critic and Glenn Branca's assistant, who put together a lineup with as many as two bassists (himself plus Adam Peacock, also a Branca collaborator), a violinist (Hahn Rowe, ditto), and most importantly singer and performance artist Mimi Goese.

On the first album Drum (Relativity, 1987 - All Saints, 1999) it is she who steals the show, with her ethereal vocals that bring back memories of San Francisco summers and raga-rock, while the three stringed instruments perform chamber rock music. It's a cross between It's A Beautiful Day and Penguin Cafe Orchestra. In some tracks (Grow Wild) the mood is deliberately neurotic, thanks to the convulsive minimalist pulse of the three strings and the extensive singing excursus of Goese's warbles.
In Eskimo Song, one of the most intangible compositions, Goese's singing manages to fuse and blend Joni Mitchell's soprano folk, the chanting of Japanese folk theater, the sustained tones of mantras, and even Donovan's naive storyteller rhymes. That heterogeneous melange of vocal styles knows how to soar into epic anthems over the commanding, liturgical lines of an organ and the minimalist counterpoints of strings (Fancy) or to close in Greek tragedy screams of pain propelled by martial harmonies of Wagnerian intensity (Second Skin).
Although imbued with the same sense of loneliness, Goese's voice can be seen as the exact opposite of Nico's: ecstatic instead of depressed, metaphysical instead of apocalyptic, ringing instead of androgynous, luminous instead of gloomy. Goese is a disciple of St. Francis, just as Nico was of Sartre.  

Ich wünsche allen einen schönen Freitag

"Bimsstein" auf Worldtour...

Ich wünsche euch und allen Fetischisten einen schönen Freitag.