Culture Club
CONCEIVED at a south London squat party in the summer of 2008 and born from a background of alternative hip-hop, jazz, break-beat and classical literature, Sound of Rum’s music isn’t easy to pin down… or like!
It’s rap-based but encompassing of many genres, none of which boast much crossover appeal. Lyrically, it’s hard-hitting – painting an often bleak picture of modern life – but it also struggles to resonate.
It’s a shame given the band’s journey to this point, which does sound incredible and a testament to their perseverance.
From their humble beginnings less than three years ago, Sound of Rum’s notoriety has progressed at a brisk pace. Kate Tempest plunged deep into the mainly male orientated world of hip-hop rap battling, quickly earning a fierce reputation for her flow and its no-nonsense style.
Similarly, Archie Marsh and Ferry Lawrenson have both devoted their lives to the mastery of their craft.
And they have been backed by an all-star team of producers, consisting of Dan Carey (La Roux, Hot Chip), John Dent (Nick Drake, PJ Harvey), Bob Earland (Roots Manuva, Mr Scruff) and Rory Attwell (White Rose Movement).
The result, while certainly delivering their brand of hip-hop from a fresh perspective, struggles to engage in spite of some nice production values.
Tempest’s vocals sound very urban and while definitely authentic in terms of what they have to say with a sense of authority, they don’t always sit comfortably alongside the production values.
http://www.indielondon.co.uk/Music-Review/sound-of-rum-balance
It’s rap-based but encompassing of many genres, none of which boast much crossover appeal. Lyrically, it’s hard-hitting – painting an often bleak picture of modern life – but it also struggles to resonate.
It’s a shame given the band’s journey to this point, which does sound incredible and a testament to their perseverance.
From their humble beginnings less than three years ago, Sound of Rum’s notoriety has progressed at a brisk pace. Kate Tempest plunged deep into the mainly male orientated world of hip-hop rap battling, quickly earning a fierce reputation for her flow and its no-nonsense style.
Similarly, Archie Marsh and Ferry Lawrenson have both devoted their lives to the mastery of their craft.
And they have been backed by an all-star team of producers, consisting of Dan Carey (La Roux, Hot Chip), John Dent (Nick Drake, PJ Harvey), Bob Earland (Roots Manuva, Mr Scruff) and Rory Attwell (White Rose Movement).
The result, while certainly delivering their brand of hip-hop from a fresh perspective, struggles to engage in spite of some nice production values.
Tempest’s vocals sound very urban and while definitely authentic in terms of what they have to say with a sense of authority, they don’t always sit comfortably alongside the production values.
http://www.indielondon.co.uk/Music-Review/sound-of-rum-balance
Optionen
musikalisch sehr stark, bei Keny Arkana fehlt mir künstlerisch und musikalisch hingegen irgendwie das gewisse etwas.
Optionen
Postindustrieller Ambient und Deep House sind derzeit meine Liebsten. Antifa muss aber sein, denn es gilt, eine Konterrevolution niederzuschlagen und die nicht nur in Teutonia eingerissenen Deemanzipationsprozesse in die Umkehrfunktion zu zwingen.