Culture Club
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Und natürlich die abgespacete Version von Gimme, Gimme, Gimme, sind ja immerhin Landsleute von Abba :-)
heute: society of the spectacle
The Situationist International (SI) was an international organization of social activists made up of avant-garde artists, intellectuals, and political theorists, prominent in Europe from its formation in 1957 to its dissolution in 1972.[1]
The intellectual foundations of the Situationist International were derived primarily from anti-authoritarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism.[1] Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism.[1]
The situationists recognized that capitalism had changed since Marx's formative writings, but maintained that his analysis of the capitalist mode of production remained fundamentally correct; they rearticulated and expanded upon several classical Marxist concepts, such as his theory of alienation.[1] In their expanded interpretation of Marxist theory, the situationists asserted that the misery of social alienation and commodity fetishism were no longer limited to the fundamental components of capitalist society, but had now in advanced capitalism spread themselves to every aspect of life and culture.[1]
They rejected the idea that advanced capitalism's apparent successes—such as technological advancement, increased income, and increased leisure—could ever outweigh the social dysfunction and degradation of everyday life that it simultaneously inflicted.[1]
Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects.[1] The situationists believed that the shift from individual expression through directly lived experiences, or the first-hand fulfillment of authentic desires, to individual expression by proxy through the exchange or consumption of commodities, or passive second-hand alienation, inflicted significant and far-reaching damage to the quality of human life for both individuals and society.[1]
Another important concept of situationist theory was the primary means of counteracting the spectacle; the construction of situations, moments of life deliberately constructed for the purpose of reawakening and pursuing authentic desires, experiencing the feeling of life and adventure, and the liberation of everyday life.[1][2]
https://en.wikipedia.org/wiki/Situationist_International
...sometimes like to do the same......
https://www.youtube.com/watch?v=PI2rWyXbv24
have a good night;-)
yours,
Lady
This experimental video was created using around 1200 self-developed negatives. All motions were executed very slowly and shot with around 2 frames per second, the fastest my fingers could do with an old analog SLR camera. All in all I shot 40 rolls of film (~1440 single photos) which I then developed using just coffee and washing soda (a well known alternative to chemical developer). I then scanned everything and arranged the single frames into short scenes.
Starring: Hannah
https://www.youtube.com/watch?v=jdu_IQ6usq4
Hochgeladen am 01.02.2009
"Swing In",a 1969 documentary
"Bourree"
https://youtu.be/iWJgJkVL0xM